Showing posts with label List Fest. Show all posts
Showing posts with label List Fest. Show all posts

Friday, February 3, 2012

List Fest: Comparing the last 10 Super Bowl halftime shows

© Charlie Riedel, Associated Press
Halftime festivities for “The Big Game” didn’t become a headline-making spectacle until 1993 when Michael Jackson catapulted onto the stage and, prior to performing, stood frozen for what seemed like an hour. Since then, news about the midgame entertainment has come to garner nearly as much attention as the final showdown between the NFL’s two conference champions itself.

Since the general public seems less than thrilled about Madonna giggling and gyrating her old bones for the sake of our viewing pleasure, if not morbid curiosity, I thought a quick review of the last 10 Super Bowl halftime shows would be in order:

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Super Bowl XLV {Packers vs. Steelers} – The Black Eyed Peas w/ Usher and Slash: So insipid, I forgot they even played last year.

Super Bowl XLIV {Saints vs. Colts} – The Who: Not great, but better than the acts between whom they are sandwiched.

Super Bowl XLIII {Steelers vs. Cardinals} – Bruce Springsteen and the E Street Band: Sort of a jumbled effort. It seems Bruce in particular was trying too hard.

Super Bowl XLII {Giants vs. Patriots} – Tom Petty and the Heartbreakers: Played above expectations; the last gratifying performance thus far.

Super Bowl XLI {Colts vs. Bears} – Prince: Impressive; perhaps the most outstanding routine of them all.

Super Bowl XL {Steelers vs. Seahawks} – The Rolling Stones: The boys from London really looked their age. Mick only wishes he could jump around the stage like the exuberant Angus Young.

Super Bowl XXXIX {Patriots vs. Eagles} – Paul McCartney: He was fine. Rather lackluster, but there have been plenty worse.

Super Bowl XXXVIII {Patriots vs. Panthers} – Justin Timberlake and Janet Jackson, et al.: Only MTV, which produced the event, could ever think that flashing one of Janet Jackson’s breasts to nearly a billion people globally would be a good idea.

Super Bowl XXXVII {Buccaneers vs. Raiders} – Shania Twain, No Doubt and Sting: I have no recollection of them whatsoever, which is saying a lot considering how much I love Shania.

Super Bowl XXXVI {Patriots vs. Rams} – U2: Bono and company’s 9/11 tribute struck a proper nerve. They did well.

Friday, August 19, 2011

List Fest: Top colleges

c/o The Christian Science Monitor
I didn't enjoy my college experience nearly as much as I would have liked.  A combination of too much work, not enough play and an overall dissatisfaction with certain factors beyond my control, commingled with an apparent inability to focus and power my way through, is why a considerable chunk of my fondest college memories occurred while visiting friends who were away at other schools.

If you've read any of my previous posts that center upon college-themed topics (1, 2), then you know that I have occasionally daydreamed about what it would be like to have graduated from, or at least attended, a university for which I bear a lasting sense of affinity.  I have a great deal of respect for those who made the most of their college years, especially at a school that stands out like those listed below, which is why the following is of such personal interest to me.

As a tribute of sorts to our esteemed institutions of higher learning, Forbes has devised a five-point percentage-based method of ranking the cream of the academic crop.  Overall three of the top eight are found in Massachusetts and over half (13) are located in the northeastern region of the country, although not every Ivy League school is ranked among the top 25.  Have a look:

1) Williams College (pictured) – Williamstown, Massachusetts

2) Princeton University – Princeton, New Jersey

3) United States Military Academy – West Point, New York

4) Amherst College – Amherst, Massachusetts

5) Stanford University – Palo Alto, California

6) Harvard University – Cambridge, Massachusetts

7) Haverford College – Haverford, Pennsylvania

8) University of Chicago – Chicago, Illinois

9) Massachusetts Institute of Technology – Cambridge, Massachusetts

10) United States Air Force Academy – Colorado Springs, Colorado

11) Northwestern University – Evanston, Illinois

12) Claremont McKenna College – Claremont, California

13) California Institute of Technology – Pasadena, California

14) Yale University – New Haven, Connecticut

15) Carleton College – Northfield, Minnesota

16) Swarthmore College – Swarthmore, Pennsylvania

17) United States Naval Academy – Annapolis, Maryland

18) University of Notre Dame – South Bend, Indiana

19) Wellesley College – Wellesley, Massachusetts

20) Colby College – Waterville, Maine

21) Brown University – Providence, Rhode Island

22) Duke University – Durham, North Carolina

23) Pomona College – Claremont, California

24) Vassar College – Poughkeepsie, New York

25) Washington & Lee University – Lexington, Virginia 

Friday, January 21, 2011

List Fest: Stuff bros like

A definitive list, currently 148 talking points long (and still growing), was recently brought to my attention.  Written in the same vibe as The Art of Manliness, BroBible, Every Day Should Be Saturday, Manofest and Things That Are White Trash, a blog called Bros Like This Site has compiled a list which -- unfortunately perhaps -- describes most young boys/men perfectly.

Listed below is TEC's handpicked top 25 from that bold, illustrious, and perhaps tragic list:

1. Cheerleaders

2. Ultimate Fighting (UFC, Strikeforce, M-1, etc.)

3. Fantasy football

4. Talking about lifting (weights)

5. Blindly hating opposing fans

6. Quoting movies

7. Energy drinks

8. Stories about college parties

9. Events created solely for drinking purposes

10. Talking about how wasted they got

11. Road trips

12. Making fun of tragic celebrity deaths

13. Hating hipsters

14. Giving girls nicknames

15. Arguing about whether a girl is hot

16. Not calling girls when you say you will

17. Making girls cry

18. Birth control not involving condoms

19. Not caring about the environment

20. Loving America

21. Vegas

22. Crashing parties

23. Heckling

24. Throwback jerseys

25. Talking about their dumps (bowel movements, for the less informed)

Friday, October 29, 2010

List Fest: Greed kills

Amid losses totaling as much as $400 million, the National Basketball Association is considering a number of potentially drastic measures to keep the league from financial collapse.  The following is a list of 25 places where Commissioner David Stern can begin the inevitable cuts:

Highest NBA salaries, 2010-2011
1. Kobe Bryant, Los Angeles Lakers, $24.8 million
 
2. Rashard Lewis, Orlando Magic, $20.5 million
 
3. Kevin Garnett, Boston Celtics, $18.8 million
 
4. Tim Duncan, San Antonio Spurs, $18.7 million
 
5. Michael Redd, Milwaukee Bucks, $18.3 million
 
6. Pau Gasol, Los Angeles Lakers, $17.8 million

6. Andrei Kirilenko, Utah Jazz, $17.8 million
 
8. Gilbert Arenas, Washington Wizards, $17.7 million
 
9. Yao Ming, Houston Rockets, $17.6 million
 
10. Zach Randolph, Memphis Grizzlies, $17.4 million
 
11. Vince Carter, Orlando Magic, $17.3 million

11. Dirk Nowitzki, Dallas Mavericks, $17.3 million
 
13. Carmelo Anthony, Denver Nuggets, $17.1 million
 
14. Amare Stoudemire, New York Knicks, $16.8 million
 
15. Dwight Howard, Orlando Magic, $16.5 million
 
16. Joe Johnson, Atlanta Hawks, $16.3 million
 
17. Kenyon Martin, Denver Nuggets, $16.0 million

17. Elton Brand, Philadelphia 76ers, $16.0 million
 
19. Predrag Stojakovic, New Orleans Hornets, $15.3 million
 
20. Chris Paul, New Orleans Hornets, $14.9 million

20. Deron Williams, Utah Jazz, $14.9 million
 
22. LeBron James, Miami Heat, $14.5 million

22. Chris Bosh, Miami Heat, $14.5 million
 
24. Jason Richardson, Phoenix Suns, $14.4 million
 
25. Carlos Boozer, Chicago Bulls, $15.0 million

Saturday, August 21, 2010

List Fest: The 20 most symbolic albums of Generation X

We enjoy lists because they provide a more distinctive means of processing information.  Breaking the initial monotony of plowing through one paragraph after another possibly amplifies our increasing inability to peruse over much of anything for more than five seconds.  Yet our preference for commingling information with some form of entertainment has become the standard nevertheless -- dwindling attention spans be damned.  Hence your humble purveyor is adding a new feature to this ever-evolving blog, simply called, "List Fest."

A piece in the current issue of Esquire (p. 156) described anger as, "The latest in a recent string of sentiments to define the collective American experience."  Truer words may never have been written.  Verily the anger and cynicism that also symbolize America's most nondescript postmodern generation (currently 29-49 years-old) is a recurring theme in the following list that respectfully attempts, through music, to encapsulate who Generation X really is:


#20. Kind of Blue by Miles Davis
Chosen for addition to the National Recording Registry in 2002, Davis's magnum opus also features the equally gifted John Coltrane on saxophone.  Released, astonishingly, 51 years ago this month, keynote instrumentals such as "Blue in Green" invite even the most trendy hipsters to enjoy the inspired work of a master at his finest.  (See also the Liquid Mind series by Chuck Wild)


#19. Greatest Hits 1970-2002 by Elton John
This three-disc collection features over 40 songs, some two-and-a-half hours his all-time best, that span the career of an iconoclast -- to whom virtually anyone can relate -- whose talent is only surpassed by his originality.  (See also Elv1s: 30 #1 Hits by Elvis Presley)


#18. Reason to Believe by Pennywise
Having followed Radiohead's lead by initially releasing their ninth studio album as a free digital download, riff-heavy tunes such as "One Reason," "The Western World" and "Die for You" are the socially thematic songs by which these melodic California punk rockers would be appreciated if only more Gen Xers knew about them.


#17. Singles (original motion picture soundtrack), various artists
Nirvana unknowingly kicked the door in for the grunge explosion during the early '90s, but it's this lineup of angst-ridden songs by which Alice in Chains, Pearl Jam, Soundgarden and The Smashing Pumpkins owe much of their multi-platinum success.  Despite the prevalence of this Seattle-based collection of songs, it is the melancholic "Chloe Dancer/Crown of Thorns" by Mother Love Bone that perhaps defines this album best for America's "13th generation."  (See also Ten by Pearl Jam, Dirt by Alice in Chains and Badmotorfinger by Soundgarden)


#16. The Wall by Pink Floyd
A concept double album largely based upon the life experiences of bassist/lyricist Roger Waters, songs that speak of a desire to build a "wall" of protection from the outside world have resonated with both fans and casual listeners for over 30 years en route to becoming one of the best-selling albums of all-time.


#15. Mellon Collie and the Infinite Sadness by The Smashing Pumpkins
Once billed as "The Wall for Generation X," Billy Corgan broke all ties with the Pumpkin's grunge background with a double album, loosely conceptual in scope, that deals unpretentiously with the realities of life, which is further complimented by a surprising level of emotion and depth.


#14. Reise, Reise by Rammstein
Although the originators of the "New German Hardness" (Neue Deutsche Härte) hit the American scene in 1997 with Sehnsucht (German for Longing), this is the bone-crushing album -- on which virtually no English is spoken -- that requires no lyrical comprehension to be understood.  Dark and heavy as hell itself, industrial masterpieces "Keine Lust" (No Desire), "Amerika" (America) and the disturbing "Mein Teil" (My Part) grab listeners by the neck from start to finish.  Considering the largely nihilistic sentiment of Generation X, this album (similar to #18) would be considered a classic if only more people knew about it.


#13. IV (aka, ZoSo) by Led Zeppelin
Also called The Hermit and ZoSo, this is the purest rock album from one of the greatest bands ever.  Classic Rock remains central to Gen X, and with a roster of songs that receive regular air play nearly 40 years after its release, no further explanation about the importance of IV should be required.  (See also Electric Ladyland by Jimi Hendrix)


#12. Pronounced 'Lĕh-'nérd 'Skin-'nérd by Lynyrd Skynyrd
Still the kings of Southern Rock after all these years, "Tuesday's Gone," "Simple Man" and, of course, "Free Bird" highlight an album that even the most ardent disregarders of this under-appreciated genre', which refects Americana so thoroughly, can appreciate.  (See also Their Greatest Hits 1971-1975 by The Eagles)


#11. Thriller by Michael Jackson
Some would argue that the biggest-selling album in music history deserves nothing but the top spot on any list.  Multi-generational in its appeal, Michael Jackson's career defining achievement is only hindered by the fact that Thriller is entirely pop -- a genre' notorious for not always speaking to those longing for a voice to which they can relate.  That said, every Quincy Jones-produced tune is simply amazing.  (See also Purple Rain by Prince and Rhythm Nation 1814 by Janet Jackson)


#10. The Joshua Tree by U2
A band that somehow sounds much larger in scope than merely three musicians and one singer, U2 were already Gen X favorites when The Joshua Tree was released in 1987.  Yet this is the definitive album, the only one that can be called "important," which cemented the Irish foursome's legacy forever.


#9. Metallica (aka, The Black Album) by Metallica
Metallica were playing sold-out arenas all over the world before mainstream America discovered who they were.  Yet this is the release that forced even the most alternative jet setters to listen until their ears bled.  Sadly 17 years would pass before fans would be given a worthy follow-up to this "arena rock" masterpiece.


#8. Nevermind by Nirvana
An album that inspired rich kids to hate their parents and wear flannel in the middle of summer, the unwitting purveyors of a grunge movement-gone-global engendered an unlikely music revolution that wouldn't come to a grinding halt until its poet-king ended his own life.


#7. Untouchables by Korn
All killer with no filler, Korn's finest (and heaviest) release abandons all previous hip-hop influences and gets straight to the point with one anger-fueled assault after another, and Gen X responded in a multi-platinum way.  As one would assume from the covert art alone, this one is strictly for the hardcore.


#6. Under the Table and Dreaming by Dave Matthews Band
An appreciation of bands like Phish and Widespread Panic isn't necessary to understand the infectious vibe of an album which thrust Dave Matthews Band into the mainstream without losing its college town credibility.  Despite the multi-platinum success in the years that followed, this is the one Gen X will always respect the most.


#5. 1984 by Van Halen
David Lee Roth's final appearance as Van Halen's frontman (until further notice) took a stylistically different direction from the band's previous five albums, but the upbeat vibe generally remained the same.  Over a quarter-century after its release, 1984 remains Van Halen's defining achievement.


#4. Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band,
the eponymous "White Album" and Abbey Road by The Beatles




These four lads from Liverpool changed the world of music with every album they released, but their five album stretch from 1965-1969 (minus Yellow Submarine) are what make The Beatles the most important band that will ever exist.  Some 40 years after they broke up, The Beatles remain tops among the bands that impacted Generation X the most.


#3. Back in Black by AC/DC
The spirit of perseverance is thematic from start to finish on Back in Black.  The cathartic reaction this album receives 30 years after its release proves that even the most cynical Gen Xers still possess the utmost respect for real men.  On a side note, the definitive hard rock album of all-time (the second-biggest seller, behind only Thriller) was released on The Eccentric Conservative's fourth birthday.  And yours truly could not be more proud of that.


#2. Core by Stone Temple Pilots
Initially labeled as a grunge rip-off, STP's debut was released to lukewarm reviews that were colored, in part, by the aforementioned genre' that dominated the music landscape.  Yet Core has stood the test of time, as most of the songs -- driven by some of the heaviest power chords of the era -- center upon themes that remain relevant to this day.


#1. Urban Hymns by The Verve
If there was ever an album on which Generation X could have a listen and say, "They know what I'm thinking," then this is most likely it.  "Bitter Sweet Symphony" is the album's most noted tune, but the remaining roster of songs -- "Sonnet," "Space and Time," "Lucky Man" "One Day" and "This Time," among others -- are capable of piercing the hardest of hearts.  Have a listen for any reason.  (See also Kid A by Radiohead, (What's the Story) Morning Glory? by Oasis and the eponymous debut by The Stone Roses)